Présentation de l'éditeur :
L'Abbaye du Thoronet, en Provence, est l'une des merveilles de l'architecture cistercienne du XIIème siècle. Les photographies, prises par Lucien Hervé au milieu des années 1950, présentent l'abbaye dans l'intervalle d'une journée en exploitant les effets des changements de lumière. Le Corbusier a préfacé l'ouvrage. Le père Samuel de l'abbaye Notre-Dame de Sept-Fons offre une vue personnelle de l'ordre monastique cistercien. L'architecte John Pawson, concepteur de l'ouvrage, donne son appréciation personnelle de ce splendide exemple d'architecture romane.
Lucien Hervé (né en 1910), photograhe franco-hongrois, est célèbre pour ses photographies d'architecture, en particulier celle des édifices de Le Corbusier.
Le Thoronet Abbey, one of the wonders of twelfth-century Cistercian architecture and still revered by architects today, nestles in a wooded valley in Provence, south of France.
This book is a pictorial appreciation of the abbey, photographed by Lucien Hervé in the mid-1950s and introduced by Le Corbusier. ‘The pictures in this book are witnesses to the truth’, is how he describes Hervé’s photographs of the Romanesque abbey. Hervé’s exquisite study presents the building throughout the course of a day, depicting the changing play of light and shadow on its stone vaulted exterior and interior. Highly textured and almost abstract in quality, his photographs reveal how the abbey is defined as much by light as by the conventions of Romanesque architecture, as well as conveying the intense spirituality of the Cistercian monastic order.
Arranged according to the canonical hours of prayer, Hervé’s photographs are complemented by quotations from the psalms and the saints. An essay by Father Samuel of the Abbey of Notre-Dame de Sept-Fons provides an insight into the Cistercian monastic order, while architect John Pawson contributes a personal appreciation of this fine example of Cistercian architecture.
Lucien Hervé (b. 1910) is a French–Hungarian photographer who is well-known for his architectural photographs, in particular those of buildings by Le Corbusier. Working throughout the mid- to late twentieth century, his striking photographs are an exploration of contrast and texture.
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