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The Terragni Atlas

Built Architecture

 

Rosselli Paolo, Terragni Attilio, Liebeskind Daniel

 
The Terragni  Atlas
Editeur: Skira
Collection:
Parution: 30-11-03
Hardcover
424 pages
Langue: Anglais

EAN13: 9788884917324

24x0x28 cm
75.00 € 71.25 €
 
 

Présentation de l'éditeur :

This unique publication marks the centenary of the birth of one of the masters of modern Italian and international architecture. The book springs from the discovery of Giuseppe Terragni’s original photographic archive and also from an extensive re-reading of the architect’s built work by Paolo Rosselli, one of Italy’s leading contemporary photographers.
This is an unusual scientific and publishing project and differs from the extensive historical and analytical material that has been published on the architect and his works in the past few decades. The publication is an opportunity for contemporary reflection on the active value of an architectural body of work that today is still conceptually and in design terms very rich.
The work of Terragni – including the immaterial Casa del Fascio, the Novocomum residence, the compositional and spatial abstraction of the Casa Frigerio and the Sant’Elia institute, the private homes of Milan and the war memorials – is revisited in a surprising way through the eye of the architect himself, who methodically documented the various construction phases of his work, including the buildings themselves on completion.
At the same time, Atlante Terragni is enhanced by the photographic work of Paolo Rosselli, who looks at the buildings of this Como architect and reveals, in a unique way, an unexpected and fascinating world of colours, transparencies, materials and spaces.
This rich photographic material, a type of visual and critical journey of Terragni’s works, is complemented by Daniel Liebeskind’s thorough introductory essay tracing the principal projects and works, fleshing out strong points for contemporary debate.
In addition, the publication contains a series of period documents created by Terragni himself and that are a counterpoint to Rosselli’s work, and a series of brief controversial texts to advertising images designed especially by Terragni for magazines he worked on.